Future Present
So, as I noted back in January, I've been re-reading William Gibson. Specifically, the "Sprawl Trilogy" of Neuromancer, Count Zero and Mona Lisa Overdrive. I've been picking the books up as I found them, and it took a while for there to be a new copy of MLO on the shelves anywhere nearby.
I'm still fascinated by how retro-futuristic it all seems, with random bits of technology, some arguably available today and some still pretty fare out, layered on top of a world that's still recognizable as being the mid-1980s. And it's the degree to which the technology isn't actually all that important to the story that stands out for me, in a way that it didn't when I first read the books back in the 1990s.
The idea that the technology is merely part of the set dressing is a common one; I suspect that a lot of the Star Wars franchise is built around the idea. The difference with Gibson is that he manages, at least to me, to still build a coherent world. Given the amount of data that various technologies in the world are capable of moving wirelessly, the lack of cellular telephony seems strange, but it doesn't give me the sense that it's random, in the way that much of the technology in Star Wars did.
Perhaps this is because it's done more in service to the story being written. When Case walks past a bank of pay phones in Neuromancer, and they each ring as he passes them, the understanding that the AI is attempting to reach him comes through clearly, and this softens the idea that the phones simply shouldn't be there.
I suspect that near-future science-fiction is always going to have a problem with "stepping on its coattails" as it were: technology that's going to be ubiquitous in 50 years time might still be so out in front of what's currently available that only a select few people are even aware that it has any potential. And this makes projecting into the future difficult, outside of "obvious" advances.
For myself, I find the look back into what a compelling vision of the future looked like more than a quarter-century ago to be fascinating. Perhaps I should pick up some other science-fiction of the 80s and 90s, and see what other version of the future resonated with people.
